Style Arc Ginger Knit Top #3

Style Arc Ginger Knit Top

I've used this outrageously multicoloured knit from Knitwit to create another Style Arc Ginger Knit Top. The fabric is still available and is currently on sale for $12 per metre. This is my third time sewing this pattern, and I doubt it will be my last. Here are the links to my first version and second version. It's just perfect for work, loose fitting, comfortable yet stylish and works well with pants or a skirt.

Style Arc Ginger Knit Top

I sewed this up on Sunday afternoon and wore it to work on Monday, so it's almost one of those instant gratification patterns. The most difficult part of the construction is sewing the pleats. I always find pleats in a knit a bit of a challenge.

This knit was only a two way stretch, not a four way stretch like my previous versions and it did alter the fit slightly. This one feels a little shorter as it has no vertical stretch. The print has quite a lot of orange in it and that's not a colour that suits me very well. I spent quite a bit of time positioning the pattern pieces on the fabric to include as much of the green and fuschia pink to offset the orange.

I love that this fabric requires zero ironing. It is so easy to care for and wear which is a huge plus when I am rushing to get out the door in the morning, heading to work.

All the hems were sewn with my coverstitch. I am wearing it here with a Style Arc Sara Skirt (which I have pegged in quite a bit at the hemline) in a black stretch bengaline. I made this skirt ages ago and is a great work wardrobe staple.

Repeat patterns are awesome and as I have made my three tops from completely different prints, I doubt if anyone, except another sewist, would realise that I had used the same pattern for them all.

Happy Sewing

Jean

Style Arc Mary Shift Dress in a Jacquard Knit

Style Arc Mary Shift Dress

My version of the Style Arc Mary Shift Dress did not go quite as I had planned...all my own fault. Apparently, when working with a fabric where either side can be the right side, you do need to focus and apply a certain amount of concentration as each construction step is executed. I originally planned to have black sleeves (using the reverse side of the fabric) which would have highlighted the raglan sleeve design, but I only realised my error when I went to press the raglan seams which I had already overlocked. The prospect of unpicking all those stitches in a knit was just too much so I went with a design change, mid project.

Style Arc Mary Shift Dress

I also disregarded the suggested fabrics of silk, rayon, crepe or lace and used this lovely Knitwit Integrity Jacquard Knit. This fabric is so lovely to wear. It is a double knit with a lovely drape, but not as much body as a ponte. It also has a lovely quality feel about it too. Due to my fabric choice, the dress turned out very roomy and I ended up running in the side seams, including the sleeves to achieve a nicer fit. This has added to the A line shape of the dress too.

I do love the nice fit around the shoulders in this pattern. The darts at the top of the raglan sleeves certainly contribute to this.

The centre back seam was eliminated so I didn't have to match the print. Instead of hemming the sleeves, I added black bands to match the black trim on the pockets and the black neckline binding. I think this ties everything in together nicely.

Sorry for the blurry side shot, but this is the only photo we got of the side view. Our photo shoot in the front yard was interrupted by our neighbours calling out. It's always awkward taking blog photos when other people are watching. The design on the fabric seemed to be a little distorted, although I centred the black motifs directly down the centre front and centre back, they didn't run exactly straight horizontally.  

This made pattern matching the pockets very difficult, but I am happy with the final result.

The 4cm hem was cover stitched. I used a very helpful tip from Emma who blogs at Earnest Flagg. She suggested I use the seam guide that came with my Bernina 350PE to set the distance from the edge that I needed to position the cover stitching. This worked a treat. Thanks so much Emma for sharing that tip.

This is how I wore the dress to work, dressed up with a bright scarf. I can see this one working with tights and boots for winter too. I had a request on my last post, from DarlaB to share how I do my neckline knit bindings. I know a lot of you already know how to do this, or have your own preferred way. As I used this technique during the construction of my Mary Shift Dress and remembered to take photos I thought I would share them here.

Step 1:
Leaving one shoulder seam open (or in this case one back raglan seam) sew a line of stitching around the neckline at the position of where you want your finished neckline edge to sit. Then carefully trim fabric as close to the stitching as possible. The stitching line simply serves as a guide line for trimming the fabric.

Step 2:
Cut a strip along the stretchiest grain of your fabric for the binding. Calculate the width required by adding 2x binding depth + 2x seam allowance and maybe a smidge extra to allow for turn of cloth. Make the length a little more than the neckline edge. The excess length can be trimmed off. Press in half lengthwise. Stitch one long edge of the binding to the neckline, right sides facing each other using your desired seam allowance. Apply a slight tension to the binding when stitching...no need to stretch it.

Step 3:
Flip binding over the raw neckline edge. The crease in the binding will be the finished edge of the neckline.

Step 4:
Press seam allowances towards the binding.

Step 5:
Pin the binding so that the creased edge sits at the finished neckline edge and the binding overlaps the stitching line on the back. Stitch in the ditch from the right side to secure the back of the binding.

Step 6:
Carefully trim off the excess binding close to the stitching line. It is fine to leave this edge raw in a knit that does not unravel. This creates a nice neat and not too bulky binding.

Step 7:
Trim off any extra length of binding not required. Sew that final shoulder seam, carefully aligning the edges of the binding at the neckline. Finish off the seam allowances as usual.

Step 8:
If overlocking this seam, I thread the tails back through the stitching to leave it neat and secure. I then stitch the seam allowance down on the binding only to prevent it peaking out and looking unsightly. As you can see in my example I have done a terrible job in matching the width of the binding at the join. I think I can get away with it here as it sort of blends into the black motif pattern of the fabric. A true perfectionist would unpick and redo this but I quite honestly, couldn't be bothered.

I hope I have explained this so it makes sense.

Happy Sewing

Jean

Style Arc Mila Designer Dress

Style Arc Mila Designer Dress

This is a stylish design that is also quick and easy to sew. Style Arc's description: "Use your creativity to make this dress your own.  The flattering bodice seam allows you to colour block or use different textures to suit your individual style. This is a simple pull on dress with a slight cocoon shape that is so simple to make but will look amazing once done." I can't argue with that.

Style Arc Mila Designer Dress

If you are experiencing deja vue, you are right. I have used the left over knit from my Style Arc Rae Tunic for the bodice in my Style Arc Mila Designer Dress. The skirt is a crepe knit in a coordinating blue that I picked up from Spotlight. The colours didn't photograph exactly right and I assure you the skirt is blue and not purple as it appears in the photos.

Made up in a knit, this dress really is like wearing secret pyjamas. The subtle cocoon shape skims over the body, hiding any lumps and bumps and is just so comfortable.

I cut my usual size 12 with no alterations except for using a knit binding for the neckline instead of the facings provided. The length is a little longer than I usually wear but it got the hubby's tick of approval so I didn't shorten it.

I used my new cover stitch to finish off the hems, even changing the thread to blue for the skirt hem. I find if I position the raw edge directly under the stitching it goes all wonky because one needle is stitching through two layers of fabric plus the Bondaweb, and the other needle is only stitching through one layer of fabric. Any suggestions for how to overcome this issue would be most welcome.

I used a single knit binding on the neckline. This is fast becoming my favourite neckline finish for knits as it is less bulky than other bindings and always turns out so neat.

The trickiest part of sewing this dress is getting a nice sharp point at the centre front. I struggled to achieve this in the knit fabric as it all seemed to stretch out to a gentle curve when I sewed this seam. I imagine it would be more precise in a woven fabric. I top stitched the seam allowance up towards the bodice as this is the direction it wanted to lay. The crepe was quite heavy and this extra line of stitching gave it a little more support.

I'm pretty happy with how this dress turned out. It is a great pattern to experiment with some colour blocking too.

Happy Sewing

Jean